Chance the Rapper at 713 Music Hall, Houston
Saturday at 713. Stix on drums, Peter Cottontale on keys. Blessings turned the room into a choir.
Read MoreMoody Studios. Austin. How a night — or a product — lands.
Saturday at 713. Stix on drums, Peter Cottontale on keys. Blessings turned the room into a choir.
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Samsung’s compact Fold 8 has been on people’s radar since July. Apple just put the same passport on a keynote and asked a hundred dollars more.
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Duo is a passport that opens to 7.6 inches and starts at $1,999. The slab still ships. The fold waits until October.
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The hype got me before Reel. A second-chance love story that will not skip the bipolar, the Harlem Renaissance, or the cost of staying. Book one is next.
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Credential catfishing does not steal a likeness. It builds a job, a degree, a roster spot — and sells the trust that comes with it.
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Tinder is making Face Check a condition of being on the app. A password can be changed. A face cannot.
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Twenty years after her birthday album, the deluxe puts Houston on the spine: Slim Thug was already there. The Selena estate said yes.
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BET taped the last one in 2023, then paused the franchise. November 27 it returns from Chicago — on BET, and on CBS for the first time.
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She and The Alchemist finished a sixteen-track record in Dallas and Los Angeles. Last Wednesday she played it on vinyl downtown. Friday it went out.
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Shondaland stays exclusive to Netflix for television and film — and the deal keeps going into games, merch, and live rooms. Terms were not disclosed.
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A live night moves a body with other bodies. A record lets the feeling be repeated, paused, and survived. Both are medicine. They are not the same dose.
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A solo ticket is not a last resort. It is how a lot of people learn the room — and sometimes, other people — without performing a group chat.
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She died Tuesday in Nashville at 80. The catalog was country. The method was how she treated people when the hit left her hands.
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The Empress of Soul is not retiring. She is choosing fewer nights. Riverfront Jazz Festival still has her name on Friday.
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People are going back to objects that cannot ping. A novel, a record, a cassette. The point is not nostalgia. The point is a door the feed cannot open.
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OpenAI turned on ChatGPT for Teens with study mode, quiet hours, and a hard limit: linked parents do not get the transcript.
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The news is loud. The feed is loud. The show is loud. Steady is not a mood. It is a few rooms you return to on purpose.
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A photo on a D.C. train became a metaphor for racism. It is also a picture of what it costs to look fine.
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Playlists flatten a record into a mood. An album week is the older practice: one body of work, seven days, no shuffle.
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House shows are filling living rooms across Texas again. The door is not a club — and the neighbors are part of the night.
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Texas dates keep getting used as a hallway between coasts. The buildings will take the money. The cities are not the buildings.
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Singles fill a room. Deep cuts tell you who has been living with the album. Texas nights keep proving the difference.
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Clear tote or a clutch the size of a wallet. Moody Center, Toyota Center, and the clubs are not running the same rulebook — but they are all running one.
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A dead phone at let-out is how a ticket, a ride, and a group chat disappear at the same time. Charge it at home. Carry a small battery.
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Texas clubs, sheds, and arenas will cook an unprotected ear. Concert plugs cut the damage and leave the mix standing.
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A photo pass is a different night. For a general-admission ticket, the camera that gets through is the one that does not come apart.
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I had a great time with Obsession. I also spent the whole back half going please do not let anybody love me like that.
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Juvenile in San Antonio. Mary J. Blige at Moody Center. Nobody in those rooms was visiting the past.
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The set is two hours. A pregame that turns the ticket into a rumor is a wasted night. Eat. Water. Leave for the door with time to spare.
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Choir on Sunday. Somebody’s cousin DJing on Saturday. Texas rooms have been bilingual. The contradiction is pretending anyone has to pick.
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Quentin Moore and Jo La Fo opened. Then the flag fit, the jeweled cup, and Because I Got High. Echo Lounge got the bit.
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Most Texas rooms empty at 11. House lights are not a closing time. They are a transfer. Know the next room before the encore.
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Third and last Texas date on Everything Is A Lot. South Side Ballroom was packed. Same tour as Stubb’s, different building.
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A new album, a first co-headline, and a Stubb’s crowd that knew every word.
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Boiling Point Tour. Young Juve mid-set. Then Ha, Slow Motion, and Back That Azz Up. San Antonio did not come for a museum.
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Dylan Sinclair opened. Then Claudio held Echo Lounge with stillness and a voice that does not need a light show.
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When the Wolf Comes Home by Nat Cassidy
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The Safekeep by Yael van der Wouden
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The Autumn Springs Retirement Home Massacre by Philip Fracassi
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Wild Dark Shore by Charlotte McConaghy
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Dungeon Crawler Carl by Matt Dinniman
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There is a specific kind of volleyball that only happens in a fifth set. The score resets, the crowd gets louder than it’s been all night, and every single point feels like it costs something. LOVB Austin found that version of themselves on Friday and it was worth the three sets it took to get there. Austin took down LOVB Madison 25–19, 14–25, 23–25, 25–20, 15–13 in a match that had no business being that tense and was better for it. The win moves them to 6–5 on the season. Madison came out swinging in sets two and three and
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Indifferent. Could have lived without the movie existing. Amanda Seyfried deserved better material.
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Already Legend Tour in Dallas. YK Neice and OMB Peezy on the stage. The room knew the words before he opened his mouth.
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Bat Eater and Other Names for Cora Zeng by Kylie Lee Baker
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Remarkably Bright Creatures by Shelby Van Pelt
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Razorblade Tears by S.A. Cosby
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This Could Be Us by Kennedy Ryan
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Tender Is the Flesh by Agustina Bazterrica
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Home Is Where the Bodies Are by Jeneva Rose
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Dead in the Water by John Marrs
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My Sister, the Serial Killer by Oyinkan Braithwaite
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LOVB Austin is building a reputation for themselves in fifth sets and Wednesday night at Cedar Park was more of the same. Atlanta pushed them to the limit across five sets and Austin came out on top anyway, 25–22, 21–25, 25–14, 21–25, 15–13, moving to 5–3 on the season. It wasn’t clean. Sets two and four belonged to Atlanta entirely and there were stretches where Austin looked like they were still working something out. Head coach Eric Sullivan said as much after the match. “We still have some stuff we have to smooth out and figure out,” he said, “but
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My Husband’s Wife by Alice Feeney
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The Silent Patient by Alex Michaelides
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The Yellow Wall-Paper by Charlotte Perkins Gilman
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Watched this immediately after the book. Still wow. Still wtf.
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I Who Have Never Known Women by Jacqueline Harpman
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A Short Walk Through a Wide World by Douglas Westerbeke
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Dark satire, conspiracy theories, Emma Stone. Yes. Also — this film is doing something real.
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It lost my attention early. Not bad, not good. Somewhere in between.
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Thoroughly enjoyed this before the big twist. And then the big twist happened.
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Let Me Write This Gently, My Baby by Lisa Marie Lovett
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So bizarre but I thoroughly enjoyed this. The hype was not lying.
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Caught my attention in the first ten minutes and I did not leave.
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The home squad proved they can dig deep when it counts If you showed up to H-E-B Center on Wednesday night expecting a clean sweep, you clearly haven’t been paying attention to how professional volleyball works. LOVB Austin’s season opener against Nebraska was messy, intense, and exactly the kind of back-and-forth battle that makes this sport worth watching. Austin took it in five (22–25, 25–20, 22–25, 25–22, 15–9) but not before Nebraska reminded everyone why they’re not to be taken lightly. The Give and Take Nebraska came out swinging and took the first set off a series of long rallies
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I went in expecting to roll my eyes for ninety minutes. That did not happen.
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Day after Christmas at Freeman Coliseum. Dee Baby, Boston Richey, OMB Peezy, then Lucci. San Antonio packed the bill.
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Nothing But Us Tour at Echo Lounge. Close enough that the hits felt like they were in the room with you.
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Dear Beloved Tour at the Pavilion at Toyota Music Factory. Free Nationals and Sasha Keable on the bill.
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Tyler Perry’s Straw has people split. Black women unraveling in silence again. Some of that is real. The loop is still a loop.
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Zilker in the dust. Eight dollars for water. T-Pain made 2008 stand up. Doechii stole the weekend. Sabrina brought Shania. I still went.
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I’ve Tried Everything But Therapy at Waterloo Park. Cian Ducrot opened. Texas got three of these dates.
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Stage Zero. TaTa. Suno, ChatGPT, a backstory, a career. Real women from that zip code are still waiting on a call.
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The Boy Is Mine Tour, Oct. 16 through Dec. 7. Kelly Rowland, Muni Long, Jamal Roberts. A full R&B night, not two hits and a DJ.
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Kirk Franklin, Maverick City, Kierra Sheard, lace socks, choir robes. Gloria Hallelujah Woods never left.
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Seven years after Invasion of Privacy. Am I the Drama? lands September 19. Twenty-three tracks.
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Packed Emo’s. Lady London opened. No band, two dancers, a mic — then Here We Go (Uh Oh) snatched the room back.
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Forever: The Final Chamber at Moody Center. Run the Jewels opened. C.R.E.A.M., Method on the barricade, champagne.
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Clothes still folded. Door still open. Not a screaming breakup song — the kind that stays in the car.
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RenderATL, Tech Square, a rooftop with AfroFuture. Black engineers as the room, not the diversity slide.
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Q2 against Portland. Black and verde, drums before kickoff. The supporters’ section knew every chant.
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Mario, then Ne-Yo, then Mary. No More Drama turned Moody Center into church.
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March 29 at Strahan. Five sets. Annie Drews Schumacher had 30. Madison closed 15-11 in the fifth.
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Western Conference semis, April 3, H-E-B Center. Flynn 28. Duke Jr. a double-double. 123-113.
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Around the World Tour at The Parish. Mic on. Jastin Martin opened and came back out with him.
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CHROMAKOPIA at Moody Center. Lil Yachty opened. Shipping containers, a living-room stage, Yonkers through the new album.
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EmpowHer postponed over a “safety & security matter.” She had posted about Palestine. The cancellation still happened.
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Coogler, 1930s Mississippi, Michael B. Jordan as twins, a juke joint. There are vampires. That is not really what it is about.
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RDCWorld’s con heads to Houston. Black anime, gaming, cosplay. Megan Thee Stallion on the bill.
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Tom Lee Park, May 2–4. Rain on Friday. Busta, Luda, Missy in the armor. Memphis by the river.
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Mara Brock Akil took Judy Blume and put Black kids in suburban Atlanta in 2018. The leaving was louder than the loving.
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Kay Bailey Hutchison, BBQ in the halls, a proposal on stage, Vitality ran the table.
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Dale Gas Tour at The Van Buren. English and Spanish at the same volume. Cómo La Flor with the lights up.
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